I am very leery of attending author readings, I must say. With the exception of a noted few, they have universally trod a delicate line between mind-numbingly monosyllabic and astonishingly tedious. Suffice it to say, Gentle Reader, that I have met very few authors who would not benefit from the following advice.
- Avoid drinking dairy, OJ, caffeine, and other mucus educing beverages, but do drink water.
- Choose a scene with a small cast of characters; one that is self contained (has a beginning, middle, and end), and is replete with suitably lush language.
- Prepare by going through and underlining the emphasis word in each sentence.
- Practice at least 2x first, preferably in front of an audience.
- Speak slower when reading, use your “phone voice” to encourage extra care and enunciation.
- Look up and make eye contact with your audience.
- Get in touch with your inner diva.
- Make sure your narrator has emotional investment.
- When trying out character voices try listening to an actor who might sound like your character.
- Feminine is slightly higher and fluid, masculine lower and more staccato.
- When doing dialogue between 2 characters, look to one side of the room for one character, and to the opposite side for the other.
- British English is spoken at the front of the mouth. (As a result of this statement, I spent the rest of the convention fascinated by the mouths of Englishmen.)
Timeless: Back from editor, off to Gamma (who is taking it to Israel). My book travels where I haven’t!
Secret Project F: Plod plod.
Secret Project PPA: Only a twinkle in my little eye.
Direct link to the audio from me reading from Blameless at SF in SF
Quote of the Day:
“A baby is an alimentary canal with a loud voice at one end and no responsibility at the other.”
~ Jerome K. Jerome